I first learned of Maliha Masood’s work while editing Best Women’s Travel Writing back in 2010. Tim Leffel of Perceptive Travel nominated her return-to-motherland essay “Breaking Frontiers” for the anthology, and it deeply resonated within me. Having left her native Pakistan for the United States as a teenager, she too understands the complexities of identity. So I am happy to announce the publication of her new book, Dizzy in Karachi: A Journey to Pakistan, just out with the Seattle house Booktrope. It recounts her return to Pakistan after landing a summer internship in Islamabad.
Tell us the story behind the title of your book.
The title is a play on words. Dizzy has a dual meaning. It refers to Dizzy Gillespie, who performed in Karachi back in 1956. The concert was a huge success and nurtured an entire generation of Pakistanis who were influenced by American pop culture, my father among them. He was a major jazz buff while growing up in Pakistan. Then one day, out of …